James Blunt - Back To Bedlam

Back To Bedlam

By  James Blunt

Very Good Condition

Soulful British crooner James Blunt's wistful debut infuses the listener -- in order -- with rainy-day hope, the wistful comfort of unattainable love, and finally, world-weary resignation. While his parched and effeminate falsetto recalls Gasoline Alley-era Rod Stewart with a healthy dose of Antony and the Johnsons, it's the late Elliott Smith who casts the largest shadow on Back to Bedlam. Predictable but effective four-chord guitar motifs are the chosen vehicle for the ex-Royal Armed Forces soldier, and when they connect ("Wiseman," "Goodbye My Lover," "You Are Beautiful"), it's like a "Dear John" letter from a lover who you know will remain a close but ultimately guarded friend. Opening track "High" sets a determined midtempo pace that rarely wanes -- it's like an acoustic version of "Drive" by the Cars with a Coldplay chorus. It's a pace that would sink some records, but Bedlam's perfectly rendered, under 40-minute run time ensures that the listener doesn't suffer from a melancholy overdose. Blunt recounts his harrowing experiences as part of the NATO peacekeeping force in Kosovo on the closer, "No Bravery," and it's a shock to hear all of the romantic lyricism that informed Bedlam up to this point reduced to "Old men kneel and accept their fate/Wives and daughters cut and raped/A generation drenched in hate," but it's damn effective -- as is the majority of this fine debut.

A Review:

As a piece of propaganda, James Blunt’s album Back to Bedlam does more for changing the face of the British Army than a series of television adverts ever could. Swapping a rifle for a guitar, the former cavalryman’s ballad-heavy debut is a clearly aiming to win the battle for the public’s hearts and minds. The U.K. success of singles like "You’re Beautiful" and "No Bravery" (inspired by his time stationed in Bosnia) are both heartfelt and sensitive, the latter packing an additional emotional punch beyond the typical lovelorn ballads of his contemporaries like Damien Rice. But Blunt also sings with conviction about matters of the heart, and that’s the territory that most of Back to Bedlam visits, with songs of loss like "Goodbye My Lover", "So Long Jimmy" and "Billy". And throughout, the arrangements remain understated yet effective, thanks to the input of such heavyweight producers and songwriters like Linda Perry and Guy Chambers. All of which prove that there’s a lot of depth to this modern, musical hero. --Robert Burrow

Tracklist